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About Nevelious L. Jordan IV

Nevelious L. Jordan IV is a contributing writer for Wrightspeak.

The Funny Thing About Writing

Posted by Nevelious L. Jordan IV  /   April 01, 2013  /   Posted in On the Road, The Latest  /   No Comments

401535_2874881404518_2136124088_nThe ability to laugh an effective remedy for problems. Laughter helps the body release endorphins, which are hormones secreted that temporarily relieve stress and pain. While comedians are widely accepted as lighthearted, funny people, but there is much more to the art of comedy.

“Most people write their sets like weird, stilted monologues,” explained comedian Jacob McFadden when dissecting the art of writing jokes. “It needs to be written like a conversation. Leave room for people to people to be involved. You can never predict an audience’s reaction. Radio is actually perfect training. It teaches you to be personable, to leave room for the unexpected, and to always be in the moment.”

McFadden, a former disc jockey for Virginia Commonwealth University’s WVCW, originally wanted to work in radio. He eventually ended up leaving the field early because of rules and restrictions. Explicit and raw, McFadden’s sense of humor violated the decency standards of public airwaves. . Not long after, he found sanctuary in performing live at bars as a comedian.

Despite having the fun job of making crowds chuckle, there are numerous other aspects to the profession that aren’t often glorified.. One of the biggest issues that comics face is heckling. The wise-cracking audience members intent on giving a comedian a hard time are difficult for some to deal with but others have no qualms about controlling the room.

“I go hardcore right away,” he said. “I usually pull people around and they end up liking me but sometimes I demolish them,” he said. “I don’t enjoy hecklers but I can handle it. I may leave the stage a little too caustic for the guys after me, though. I’m sensitive.”

Another problem concerns writing material: The average Joe might be under the impression they have an infinite supply of jokes but this could not be further from the truth. McFadden, for one, has admitted to having trouble writing simple jokes.

Ghostwriting, the act of an individual writing something that will be accredited to another, is a prevalent occurrence in comedy. It goes hand-in-hand with McFadden’s belief that comedians have a certain voice.

“Everyone does it,” he said. “Sometimes, you think of a joke that doesn’t fit your voice but it works for someone else. Instead of wasting the joke or trying to force it into your set, give it to a friend. People are always offering tags and trying to improve their colleagues sets.”

A well-rounded writer, McFadden has dipped his hands in a slew of different genres. He has written and given away several small sketches for free. In addition to those, he also wrote a play that was later produced.

Fiction and poetry have also had the pleasure of his exploration. By taking a course in the reading and writing of fiction and poetry last year, he discovered the similarities and differences between prose and comedy.

“Poetry is interesting because the perception is that it requires you to give of yourself. Most people assume that it means sorrow, agony, and sensitivity. Comedy also requires you to give of yourself, so I wanted to move that forward. Poetry is inherently personal, unlike fiction, so whatever you write will be judged as ‘you.’ I reveal my own follies but without trying to force others to feel it,” he said.

The satisfaction McFadden receives from making others laugh is, in his words, “orgasmic.” According to him, laughter is a release and people laugh the hardest during moments where it is most uncomfortable. It is McFadden’s opinion the best laughs are at funerals because of suppressed emotions finally being expressed.

McFadden believes jokes that have bad delivery, no punchline, are too self-referential, and are too much like a monologue are poor. Furthermore, he claims everyone can be a comedian but not all will be good. Those interested in pursuing a career in comedy are given a word of advice.

“Get really drunk and argue with people. Before you do that, ask the manager of the bar if you can start an open-mic at his spot. Then, get really drunk, argue with people, and journal it when you get home. Seriously, that’s where you will find the bits.”

Life of an MC: The Dave Rappalot Chronicles

Posted by Nevelious L. Jordan IV  /   March 03, 2013  /   Posted in Building the Writing Craft, The Industry, The Latest  /   1 Comments

263405_10150240969932857_505782856_7473948_2043280_nFrom its inception in New York City in the 1970s, hip-hop has grown from its humble birthplace in the Bronx into a global phenomenon. The culture of the genre is defined by four elements: breaking, DJing, graffiti, and rapping (Lyrical content is often regarded as one of the most important aspects of a song, according to legendary rappers KRS-One and Ice-T).

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The Language of Reading and Writing

Posted by Nevelious L. Jordan IV  /   February 09, 2013  /   Posted in On the Road  /   1 Comments

205893_10150242342721536_2706263_nThe massive influx of Spanish-speaking immigrants to the United States in recent years has birthed brighter futures for those who otherwise might not have had them. The possibilities of cultural diffusion, employment, and higher education are but a few of the elements that attract foreigners to the nation. The “American Dream,” a set of hopes ranging from equality to democracy to material prosperity, tends to be the main factor in the decision making of many when it comes to immigration. But for many, the language barrier—that is, the inability to speak English— is an obstacle standing in the way of progression for some.

“While our society is moving at an immeasurable rate towards text messaging in lieu of verbal communication and typing e-mails instead of letters, I cannot emphasize enough how important I personally think it is to be an adept writer,” said Jacqueline Rodriguez, a bilingual professor from Titusville, Fla. Read More

Cooking with Pasta: Online Writing for Horror Story Fanatics

Posted by Nevelious L. Jordan IV  /   January 02, 2013  /   Posted in Building the Writing Craft, The Latest  /   1 Comments

tricolor-rotiniCreepypasta, a sub-genre of copypasta (internet slang for a body of text constantly copied and pasted), has been popular amongst horror story fanatics since its inception in 2007.

Spread via frequently visited message forums such as 4Chan, the writing is aimed at disturbing or shocking the audience. Common elements include: demons, fictional mass murderers, ghosts, and monsters.

With the community of writers growing at a steady pace, it is quite the difficult task to create an original work.

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Blogging in Black and White

Posted by Nevelious L. Jordan IV  /   September 02, 2012  /   Posted in Building the Writing Craft, On the Road  /   1 Comments

For this article, “On the Road” writer Nevelious Jordan IV speaks with well-followed blogger Alana Beeler.

In a world plagued with racial animosity, relations between African Americans and Caucasians may very well stand out amongst others. Violent histories of bloodshed and modern day prejudice link the two groups in struggle. While some remain against unification, those of opposite minds—who support racial integration—continue to grow. In 1967, interracial marriages were legalized in the United States. Today, a wave of love continues to steadily prove the ruling was not in vain.


To learn more about racial integration today, I spoke with Alana Beeler, writer and founder of the popular blog “I’m Dating a Black Guy.” Beeler writes about the evolving public perception of interracial relationships on her blog.

“I’ve mostly dated black guys in my personal life and just wanted to see if there was any blog dealing with interracial dating,” said Beeler. “Sure, there are a bunch of dating sites but I didn’t find any blog really with the subject so I said I might as well blog about it myself,” blogger Alana Beeler explained.

The I’m Dating A Black Guy blog has been active for two years. Despite being relatively new, it has gained massive amounts of traffic. Men and women of like preferences have supported the message of unity on popular social media websites like Facebook and Twitter.

As with any controversial subject matter, Beeler has also received negative backlash. A resident of Dallas, she has experienced hateful glares and rude comments while out in public with previous boyfriends, many of whom have been African-American. Although strongly in favor of relationships with them, Beeler stresses the value of a romantic foundation being much more than skin color.

“My first boyfriend was black and I just continued to date mostly black men,” she said. “I do want to point out that I have dated men of other races, including my own. Even though black men are my first attraction, I don’t just date black men for the sake of dating black men. I try to look for a good man first..”

Aware of how black man-white woman couples are portrayed in the media, Beeler cites the ever-popular example of gold digger white women dating rich black men as a dominant stereotype. She also believes pornographers play heavily off the taboo aspect of interracial sex with themes such as “gangster thugs corrupting innocent daddy’s girls.”

Beeler says racism continues to thrive because of inherited influence. Beeler views parents, family members, and society to be the culprits of the seemingly unending cycle of evil.

“If you put some three-year olds in a room, they will play with each other regardless of race,” she said. “They don’t have any perception that one person’s color makes them better than the other,” she said.

“I’m Dating A Black Guy” has several interactive sections for her blog readers—they feature advice for women about to date black men for the first time, fictional and non-fictional stories relating to dating black men, celebrity gossip, and user-submitted photographs. When asked if she thought she was doing a great service, Beeler was open and humble.

“I just want to provide a lighthearted forum for people to discuss. I’m not trying to save the world but hope to open a few hearts along the way and get a few laughs.”

Nevelious L. Jordan IV is a contributing writer for Wrightspeak.

Grappling with fanfiction: How to rewrite history

Posted by Nevelious L. Jordan IV  /   July 22, 2012  /   Posted in Building the Writing Craft  /   No Comments

Frustration amongst sports fans is an age-old strife. Every avid follower has had a moment that made them wish something happened differently. A creative writing trend, dubbed “e-fedding” by the internet community, began in the 1990s and has given professional wrestling fans the opportunity to do just that. E-fedding is fantasy booking, and is the written equivalent of fantasy football. Fans of professional wrestling come up with ideas and post them on the internet. As of 2012, it has evolved with the growing problems with the way the real product is scripted. Not only can fans of the sport now create their own text-based fiction, they can accompany it with actual footage.

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Spencer’s Take on Going from Sociology Author to Screenwriter

Posted by Nevelious L. Jordan IV  /   July 07, 2012  /   Posted in On the Road  /   No Comments
Spencer

Spencer working.

Understanding the field of sociology can be quite useful because we gain a deeper insight into the way society functions through an analysis of the social science. Depending on the context in which it is presented, sociology ideals and theories target different audiences, thus reaching a broader demographic to spread knowledge.

To learn more about the kind of writing that goes into sociology studies, I spoke with sociologist and writer Sharon Zoe Spencer.

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A Man of Transition: Maurice Butler on Going from Teacher to Novelist

Posted by Nevelious L. Jordan IV  /   June 24, 2012  /   Posted in On the Road  /   No Comments

Maurice ButlerTransitions are required for growth, and embarking upon new, unexplored terrain yields educational results. If you are brave enough to take a chance, you may find yourself making the  transition to becoming a writer. This week, I spoke to educator and writer Maurice Butler about the transitions that have helped to launch his career in writing.

 

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The Power of One: My Talk with Horror Vet Marian Dora

Posted by Nevelious L. Jordan IV  /   June 10, 2012  /   Posted in Building the Writing Craft, On the Road  /   1 Comments

German horror veteran Marian Dora knows the value of hard labor, as careers in film are both, rare to come across and hard to deliver within. He knows that every job requires substantial time and effort. Multiple predicaments may arise, creating hostile working conditions. The important thing, he says, is to remain focused on the task at hand and persevere. I spoke to him about his writing career and film work.


Fascinated by film as a child, it comes as no surprise that the screenwriter and director ended up with a video camera in hand by age 23. During his earliest years, Dora met many prolific European actors including: Helmut Berger, Herbert Fux, Ruggero Deodato, and Udo Kier. Contact with such well-known men in film did not come easy. He tells me that his journey has been a long, stressful one.

“For budget reasons, but also to create my own visions, I did everything in my own films,” Dora said. “I did the writing, directing, camera work, editing, scoring, and so on. It is always easier to make films with good technicians or a good cinematographer, but much more difficult if you are on your own.” He added that aspiring film producers and screenwriters only need an ambition and the cheapest camera they can find to jump start their careers.

Despite unwavering determination, Dora’s work has not gained a large viewership. With elements ranging from animal cruelty to graphic murder, Dora’s films are not for the faint of heart.

“Cannibal,” released in 2006 and made for the American market, is one such film. The plot centers around a man browsing the internet in hopes of fulfilling his darkest desire: cannibalism. After turning down numerous candidates, the main character selects a suicidal man. The two bond and engage in sex after meeting. When it comes time to do the deed, trouble arises and leads to a rather heated argument, resulting in the potential victim wanting to leave.

Convinced to give the scenario a second chance, he chooses to stay. Castration via kitchen knife then leads to a horrific dismemberment and devouring. Based on a brutal incident that occurred on March 9, 2001, in Rottenburg, Germany, “Cannibal” was originally a film German director Ulli Lommel intended to make for Lion’s Gate. Dora served as the second unit director and was responsible for the more edgy scenes. Unfortunately, things did not turn out as expected.

“After watching “Cannibal,” Lommel said he couldn’t handle the film,” he said.”He said it made him sick. He filmed his own version and I had to distribute the film myself.”

The mishap with “Cannibal” was but a fork in the road for Dora. In 2009, he released “Melancholie der Engel.” a violent tale of friendship, revenge, and death wish, the story focuses on two men full of contempt for humanity.

One discovers his end is nearing, prompting the other to take him on a barbaric spiritual voyage to ensure his life finishes with meaning. Featuring vivid depictions of rape, actual excrement, disembowelment, and illicit drug use, “Melancholie der Engel” was an extremely nerve wracking project for all involved.

“The shooting of ‘Melancholie der Engel’ was very, very difficult for everyone. It culminated into an orgy of hate, deprivation, depression, madness, and shit. During the three weeks of shooting, I lost 35 pounds,” Dora said.

In addition to making it through the disgusting situations of their respective roles called for, the cast was not allowed to view the script. Dora was the only one with access to it. An unorthodox practice, he used this to maximize authenticity. The goal was to have them embody their emotions honestly.

“It is all about the manipulation of the performers to make them do whatever is necessary for the scene. I tried to bring the performers in the adequate situation and filmed it.”

Going all out for his films, Dora has done things that could land him in hot water with the law, including entering a church without permission. Such antics have forced him to protect his identity. His face is blurred out in video interviews and the only way fans can interact with him is through film festival appearances. A small circle of them are lucky enough to be in possession of his e-mail address.

What magnifies his elusive aura is his name. “Marian Dora” is in fact an anagram of his real name. Furthermore, he has several additional pseudonyms. With critics disapproving of his films to the point of desiring to harm him, Dora’s own safety is a primary concern.

“I’m not very much into the internet so I don’t know many rumors concerning myself but I heard there is someone hating my films so much that he wants to kill me. I have to accept that.”

Ridiculed for supposed religious mockery, Dora shatters rumors that he is intentionally blasphemous through his admitted fondness of Catholicism’s rituals. He credits places like Notre Dame and Hindu temples as one of the main reasons he travels the world. This, however, does not mean he does not see a problem with religion.

“For me, the main problem with religion is its anthropocentric sight so maybe Buddhism would fit my philosophy more than Christian theology,” Dora said.

Religious fanatics are not the only ones who’ve had a defensive stance against Dora’s work. Carsten Frank, a leading actor in three of Dora’s films, ceased partnership after “Melancholie der Engel” was completed. Fear of criminal charges was the driving force behind the decision.

“He forced me to make many heavy edits and the scenes are lost now. His name is listed as “Frank Oliver” in the credits to show that he renounces the film. That was the end of our collaboration.”

Though haunted by the daily demands of his profession, Dora continues to push forward. Financial difficulties matter little to him. A budget of $4,000 is all he is currently working with to develop his next two titles. One will be a remake of Jean-Louis Costes’ French classic “I Love Snuff,” and the other will be about a man suffering from a malignant cancer.

 Nevelious L. Jordan IV is a contributing writer for Wrightspeak.

On the Road: Understanding Busboys, D.C.’s Landmark Poetry Cafe

Posted by Nevelious L. Jordan IV  /   May 28, 2012  /   Posted in On the Road  /   No Comments

Busboys and PoetsWashington D.C. has more than it’s fair share of talent. In a city full of potential, there are bound to be places for talented, special persons to express and share their uniqueness with the world. One such place I found interesting while on the road is Busboys and Poets, a restaurant and bookstore. Aimed at consciously uplifting racial and cultural connections, Busboys and Poets is one of the most frequented poetry café’s in the region, and with good reason.

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Building the Writing Craft: Speaking with Lara Shugoll on Motivation

Posted by Nevelious L. Jordan IV  /   May 17, 2012  /   Posted in Building the Writing Craft  /   No Comments

Motivation is the driving force behind achieving a goal, and the key to being successful in anything. As a result of dedication and hard work, fruits of backbreaking labor can flourish. Inspired by different occurrences, every individual is motivated by a desire unique to their own life.

For this week’s Building the Writing Craft column, I spoke with Lara Shugoll, a Louisville native and student currently studying at American University in Washington D.C.Shugoll is a budding writer who is using her motivation to propel her writing career forward, while still staying focused on her academic career. Heavily involved in writing since the fourth grade, Shugoll was barely ten years old when she won her first first poetry contest. Enthralled with creating art, she began to take writing far more serious than she ever expected.

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On Writing: Journalism and Gender Equality with Mary Ann Owens

Posted by Nevelious L. Jordan IV  /   April 29, 2012  /   Posted in On the Road  /   No Comments
Mary Ann Owens with Students

Mary Ann Owens with Students

Thought about becoming a journalist? Think it’s an easy job? Think again. The road to becoming a successful journalist is not always an easy route. With large writing demands and last minute assignments, journalists face daily time-consuming obstacles. Irregular working hours do not make things easier.

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